ISRAEL / FRANCE
2014 / WORLD PREMIERE
2H – IN HEBREW
Synopsis
A teacher discovers in a five year-old child a prodigious gift for poetry. Amazed and inspired by this young boy, she decides to protect his talent in spite of everyone.
DIRECTOR: Nadav Lapid
SCREENPLAY: Nadav Lapid
CINEMATOGRAPHY: Shai Goldman
EDITING: Era Lapid
SOUND: Marina Kertez - Aviv Aldema - Bruno Mercère
PRODUCTION DESIGN: Miguel Merkin
MUSIC: Michael Emet
CAST:
Sarit Larry
Avi Shnaidman
Lior Raz
Hamuchtar
Ester Rada
Guy Oren
Yehezkel Lazarov
Dan Toren
PRODUCTION
PIE FILMS
Osnat Handelsman-Keren / Talia Kleinhendler
Tel. +972 3528 0836
osnat@piefilms.co.il / talia@piefilms.co.il
CO-PRODUCTION
HAUT ET COURT
Carole Scotta / Julie Billy
Tel. +33 (0)1 55 31 27 27
info@hautetcourt.com
ARTE FRANCE CINEMA
Olivier Père
Tel. +33 (0)1 55 00 71 45
DISTRIBUTION
HAUT ET COURT DISTRIBUTION
Laurence Petit
Mob. +33 (0)6 11 18 21 07
Laurence.petit@hautetcourt.com
SALES
LE PACTE
Camille Neel
Mob. +33 (0)6 84 37 37 03
c.neel@le-pacte.com
PRESSE
MAKNA PRESSE
Chloé Lorenzi
Mob. +33 (0)6 08 16 60 26
info@makna-presse.com
CONTACT CANNES
PIE FILMS
Osnat Handelsman-Keren
osnat@piefilms.co.il
Talia Kleinhendler
talia@piefilms.co.il
Tel. +972 3528 0836
HAUT ET COURT
Carole Scotta / Julie Billy
Tel. +33 (0)1 55 31 27 27
info@hautetcourt.com
"Between the ages of four and a half and seven years old, I wrote around a hundred poems or, more precisely, I told them to my nanny. The first one, titled Hagar, was a love poem. A Separation, quoted at the end of the film, is one of my last. At the age of seven, I stopped writing poems. My parents put them away in a cupboard and they remained there for twenty-five years, until I decided to use them for a film. There is consequently an obviously autobiographical dimension. But I am as much the child as I am the teacher. This anxiousness, this urgency felt by the teacher when faced with the marginalisation of a certain art, a sensitivity, certain gestures taken over by vulgarity, are feelings I have felt myself.
We did think of choosing an older child when it came to casting Yoav, who looks young for his age. But after auditioning a large number of children, we picked Avi Shnaidman, a five-year-old child. It was important for me to chose and direct a child who wasn’t particularly weird, zany, a cliché of the young prodigy, but who was instead normal, with a little something about him.
Policeman and The Kindergarten Teacher have basic similarities. In both, there is a female protagonist fighting against the zeitgeist. They are films about resistance, even if the teacher has already fallen victim to ills that she wants to destroy. She is motivated by a sort of “radical purety”. As she faces lies, deceit, the dirtiness of modern times, she aspires to find an absolute truth, but to get there, she has recourse to lies and deceit and the exploitation of someone else to reach her aims."
Interview by Charles Tesson
