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Special Screening
You and the Night
Les Rencontres d'après minuit


Yann Gonzalez

 
  • FILM
  • DIRECTOR
  • CONTACT
  • PORTRAIT

FRANCE
2013 / WORLD PREMIERE

1H31 - IN FRENCH

Synopsis
Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.


director:
Yann Gonzalez
screenplay: Yann Gonzalez
cinematography: Simon Beaufils
editing: Raphaël Lefèvre
sound: Jean-Barthélémy Velay - Damien Boitel - Xavier Thieulin
production design: Sidney Dubois
music: Anthony Gonzalez (M83)

cast:
Kate Moran
Niels Schneider
Nicolas Maury
Éric Cantona
Fabienne Babe
Alain Fabien Delon
Julie Bremond
Béatrice Dalle

Biography
Yann Gonzalez

French nationality.
Born on March 2, 1977 in France.

Filmography
2013 LES RENCONTRES D’APRÈS MINUIT
2012 LAND OF MY DREAMS (S)
2012 NOUS NE SERONS PLUS JAMAIS SEULS (S)
2009 LES ASTRES NOIRS (S)
2008 JE VOUS HAIS PETITES FILLES (S)
2007 ENTRACTE (S)
2006 BY THE KISS (S)

production
SEDNA FILMS
Cécile Vacheret
Tel. +33 (0)1 43 72 06 80
sednafilms@free.fr

coproduction
GARIDI FILMS
Consuelo Frauenfelder, Stefan Lauper & Tarik Garidi
Tel. +41 78 835 24 88
Consuelofrauenfelder@yahoo.fr

distribution
POTEMKINE
Benoît Dalle
Tel. + 33 (0)1 40 18 01 85
films@potemkine.fr

sales
FILMS BOUTIQUE
Jean-Christophe Simon
Mob. +49 173 591 57 67
simon@filmsboutique.com
Cristina Cavaliere
Mob. +49 176 75 48 29 52
cristina@filmsboutique.com

french press
MAKNA PRESSE
Tel. +33 (0)1 42 77 00 16
info@makna-presse.com
Chloé Lorenzi
Mob. +33 6 08 16 60 26
Audrey Grimaud
Mob. +33 6 71 74 98 30

international press
MAKNA PRESSE
Giulia Fazioli
Mob. +41 796 170 031
festival@makna-presse.com

contact Cannes
SEDNA FILMS
Cécile Vacheret
Tel. +33 (0)6 16 19 29 41
sednafilms@free.fr

A certain idea of ….

... Romanticism
"One shouldn't be scared of emotion. As a spectator, it is for me a fundemental part of watching films: I like going to the cinema to cry. You and the Night was born in part at a time during which I had delved deep into the 1920s and its avant-garde literature, especially Mireille Havet, who was close to Cocteau, and tragic and romanesque lifestyles. Her writing really inspired me to write the script, in fact, I borrowed the title of one of her novels for my film".

... Artifice
"I have always been moved by the truth that emanates from films through artifice. Cinema is first and foremost artificial, that needs to be accepted, we shouldn't go through a picture of reality. Playing with artifice is a good way to avoid bias, to be franc with the viewer. They have the right to follow you or not, but knowing where they stand".

... Transgression
"You and the Night was set up in order to bring together actors working remotely to create on screen a community of people who get together despite the stagnation of today's world and the harshness of contemporary society. The people resist this; they go back to notions that are dear to me, those of friendship and family. Even though in this case we are revisiting the idea of a family unit: crazy, as transgressive as possible. These people have a second degree attitude towards themselves; I don't. Although it's important for their development to be aware of the ridicule they might project, I think I constantly have a very sincere view of them".


interview by Alex Masson
Semaine de la Critique - Syndicat Français de la Critique © 2017
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