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SPECIAL SCREENINGS - OPENING
FLA

Djinn Carrénard

 
  • FILM
  • DIRECTOR
  • CONTACT
  • PORTRAIT

FRANCE
2013 / WORLD PREMIERE

2H45 - IN FRENCH

Synopsis
Laure est une hôtesse de l'air qui veut faire un enfant. Oussmane est un musicien qui veut devenir un artiste reconnu. Kahina est une détenue en permission pour Noël, qui veut revoir son fils. Ils vont se rencontrer, se rapprocher, se soutenir, s'affronter, dans la poursuite de leurs rêves. Et ensemble, ils vont tenter de répondre à cette question : Comment l'amour se construit-il? Comment faire l'amour ?


DIRECTOR:
Djinn Carrénard
SCREENPLAY: Djinn Carrénard
ART DIRECTOR: Salomé Blechmans
EDITING: Djinn Carrénard
FIRST ASSISTANT : Osman Mebarek

EXECUTIVE PRODUCTION: Anna Gardereau
MUSIC : Frank Villabella

CAST:
MAHA
Laurette Lalande
AZU
Saul Williams
Laura Kpegli
Axel Phillipon
Amélie Moy
Jérémie Dethelot
Jean-Baptiste Phou

Biography
Djinn Carrénard

Haitian nationality
Born on March 1, 1981 in Port-au-Prince (Haiti)

Filmography
2014 FLA
2011 DONOMA
2009 WHITE GIRL IN HER PANTY (CM)

PRODUCTION
DONOMA GUERILLA
Salomé Blechmans
Mob. +33 (0)6 40 59 74 97
salome@donoma.fr

CO-PRODUCTION
ARTE FRANCE CINEMA
Olivier Père

DISTRIBUTION
ARP DISTRIBUTION
Michèle Halberstadt
Tel. +33 (0)1 56 69 26 00
+33 (0)1 56 69 26 03
mh@arpselection.eu

SALES
ELLE DRIVER
Eva Diederix
Tel. +33 (0)1 56 43 48 76


FRENCH PRESS

Matilde Incerti
Mob. +33 (0)6 08 78 76 60
Tel. +33 (0)1 48 05 20 80
matilde.incerti@free.fr


INTERNATIONAL PRESS
PR CONTACT
Phil Symes
philsymes@theprcontact.com

CONTACT CANNES
ARP
Michèle Halberstadt
Mob. +33 (0)6 20 25 32 62
mh@arpselection.eu

DONOMA GUERILLA
Salomé Blechmans
Mob. +33 (0)6 40 59 74 97
salomé@donoma.fr

INTERVIEW WITH DJINN CARRÉNARD

Faire : L'amour is your second film and there is in the rock language what they call “the second album syndrome”: what can you do after your first film Donoma, which was very successful?
For this film, I wanted to explore the characters. Donoma frustrated me, because I was telling several stories and had no time to go deeper. I wanted less twist, less shock value because Donoma was a way to get into the film business. Now that the door is half open, Faire : L’amour is starting a discussion.

Faire : L'amour was shot again in guerrilla style. Do you need that in order to create?
I need the guerrilla energy. I will be done with that in the future, but for now, it is a drug: to shoot lightly, to feed myself from random events, to see signs everywhere, to be fuelled by adrenaline, to shoot as if it was an extreme sport. I was lucky because my partners (ARTE, Canal +, CNC and the Languedoc-Roussillon region) left me with a freedom I could not expect. Each of them had to call me once to check if I was still alive and they had been waiting, believing they would not be disappointed.

Faire : L'amour, like Donoma, is impressive by its energy, its vitality. At the same time, it is again a modern, bright and painful essay on loving relationships…
People in my film “make love” because love is not only made through intercourse. They make love, love the person who was given to them randomly and they will hit him/her with fatal blows by instinct because this is also love. To fuck is a detail, some incriminating evidence, nothing more. I hope that we all will have the chance to know a twisted love that can cost our life. I hope the film will be perceived that way, like an invitation to have our life messed up by an unknown person in the name of love.

Interview by Léo Soesanto


_film photos


     
       
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